Friday, 26 October 2012

Top 5 grumpiest old men in music


Top 5 grumpiest old men in music

Live fast, die young. The archetypal formula applying to generations of rock stars, where it appears that to remain immortally cool, maintain an aura of mystique, and be an extensive topic of fascination, it is best to either expire by the age of 27, or become a recluse. Some stars however appear to have ignored this determinist formula and have remarkably somehow survived the strains of the rock n roll life (the hardships of unlimited money, women, booze and drugs) and either become the first pensioners to regularly playing in front of an audience of 40, 000 people, or retreat into rock retirement, occasionally popping up to give their elusive take on why everything’s rubbish these days, and to rudely knock back the fans who bought their records which and made them the wealthy men they are today. This is the top 5 of the grumpiest of grumpiest of old rock stars, the ones who only smile when they receive another huge royalty cheque. By default the list excludes cringe worthy ‘self-proclaimed’ grumpy old rock stars, so the list doesn't include Rick Wakeman.

5) Gary Moore
File:Gary-Moore-at-Pite-Havsbad.jpg
 Sadly passed away in 2011, no doubt a legendary guitarist, who doesn't love Parisienne Walkways http://www.youtube.com/watch?v=qyTHJ40pasM, and amassed an impressive discography of high quality blues albums. A respected musician as he was however, Moore was renowned for being miserable in his later years and being especially cold towards fans in his last days, barely communicating with his audience when performing live and often seen rudely dismissing fans that tried to approach him.


4) Bob Geldof

 You can only applaud his efforts for trying to 'make poverty history', but the notoriously grumpy Geldof seems to sometimes forget his musical efforts with the Boomtown Rats aren't exactly held with the same acclaim as his poverty fighting efforts, with the release of The Best of the Boomtown Rats in 2003 making a very unflattering number 43 in the UK album chart. Often slagging off fellow musicians in a Noel Gallagher esque fashion, here he is calling Russell Brand a C*** at the 2006 NME awards- http://www.youtube.com/watch?v=RwzDyQRARE0.


3) Lou Reed
Legendary songwriter and Velvet Underground front man Lou Reed is a notoriously difficult man to interview, once describing journalists as “disgusting. Mainly the English. They’re pigs.” He’s been known to answer questions in monosyllables, give blatant lies as answers and reduced interviewers to tears.  He’s also been known to be rude to fans who approach him, and to those around him in public such as this exchange in a Starbucks once- http://gizmodo.com/5856630/so-lou-reed-walks-into-a-starbucks


2) Ginger Baker

Arguably one of the greatest drummers of all time, who was in one of the first so called 'super groups' in Cream, you can watch hours of footage of Baker in awe of his incredible ability on the kit. These days however, Baker is known for being incredibly grumpy, and almost seems to embrace such a tag in recent media appearances. Fellow musicians who worked with Baker such as Jens Johansson claimed that Baker complained about everything, disliked touring and is extremely hostile to journalists.http://www.blabbermouth.net/news.aspx?mode=Article&newsitemID=16489. During an interview appearance on the Jools Holland show in 2010, after his interview where he had little to say other than that he was no longer involved in the music industry, Baker simply walked off the set rather stay for the rest of the show, which caused confusion when Holland went to talk to Baker again later. Some have speculated that Baker's heavy drug abuse of the past caused him to become extremely grumpy and have a short fuse.http://thecollectivereview.com/harry-shapiro/ginger-baker-born-under-a-bad-sign.html. Whatever the reason, don't expect Baker to start a career in children's entertainment anytime soon.


1)      Ringo Starr

Here is a video of Ringo Starr in his twenties in the Beatles http://www.youtube.com/watch?v=d-EAvTCZV50, here is a video of Ringo in his sixties telling his fans he wants no more fan-mail http://www.youtube.com/watch?v=gpd24yVy5C4. Ringo Starr encompasses all that is the grumpy old rock star. He's not the blueprint, or the prototype, he’s the finished article. Seen as the 'funny' one in the Beatles, the cheeky chappy who everybody liked despite not being the most gifted member in the band musically, the one who lit up in interviews with witty responses and funny stories, has turned into a grumpy, almost bitter old man who appears to simply wanting to be left alone, and even slating his own home City Liverpool by claiming he didn't miss anything about it, angering local Liverpudlians http://www.bbc.co.uk/news/uk-england-merseyside-13509119, all at the same time that fans were fighting to stop the bulldozers turning the home he grew up in Madryn Street in Toxteth being turned into rubble. Starr's grumpy nature is a particularly difficult pill to swallow for music fans considering that in the UK especially his most significant contribution to the world in the past 30 years has been his narration of Thomas the Tank Engine, only die-hard Ringo fans would be able to list Starr's last 10 albums off the top of their head. Whereas his fellow Beatles compatriot Paul McCartney, who unlike Starr is a true living musical genius, still comes across with a cheery and hospitable attitude to the press and fans despite being asked the same questions for the last 50 odd years, Starr, who used to wing-it with his lovable and charming personality shielding his average musical ability, just seems like he wishes he'd never been in the Beatles at all. His fan-mail video just sums it up- asking the fans "with peace and love" to STOP SENDING ME F*&%£NG FAN MAIL.

Friday, 24 August 2012

At the Drive-In are back!


At the Drive-In are back!

Metronome Arthritis. Invalid Letter Department. Rolodex Propaganda. Either these are the track names Simon Cowell is formulating for this year’s X Factor Christmas number one, or they are three track names taken from Post-Hardcore legends At the Drive-In’s back catalogue.
                                       
                                     

Having taken an indefinite hiatus at the peak of their popularity in 2000, this month they are making their first appearance on these shores for 12 years at Reading and Leeds Festival, followed by an appearance at Brixton Academy. Hailed from El Paso, the group are perhaps most famous for their single One Armed Scissor from their last album Relationship of Command, released in 2000.

Why is their reunion so special? Well at the turn of the millennium, when mainstream rock was dominated by an epidemic of unimaginative nu-metal, a faction of rock fans needed light relief, and this light relief came from At the Drive-In. Their high energy, anarchic live performances were matched by no-one at the time and the originality of their recorded work, which married explosive aggressive hardcore with a soft melodic drive had never been heard of or has been replicated since.

With 2012 being the ‘year of reunions’ which has seen the Stone Roses, Beach Boys and Black Sabbath make their much hyped returns, there is little buzz in the mainstream media about At the Drive-In’s live come back. But that is exactly how the band, and no doubt the fans, would always want it. The sheer affinity and veneration that At the Drive-In’s followers have towards the band, who never catered to or changed their sound to reach the mainstream, is unique. We almost feel like a cult, a following, a privileged few who managed to discover something special that so many people missed out on a decade ago.

The return of At the Drive-in may not be breaking news, but for a certain group of rock fans it’s the news we’ve been waiting to hear for the last 12 years.

Wednesday, 25 July 2012

10 worst follow up albums of all time


10 worst follow up albums of all time

The difficult second album. What happens when you release an album and become a hero, icon, music pioneer? You have to follow it up (unless you're the Sex Pistols). Here is a countdown of the 10 worst follow up albums of all time, some being expensive, over-produced and bloated washouts, some being so dull you'd be forgiven for falling asleep, and some simply seeming to be pisstakes.

    10) The Darkness: One Way Ticket to Hell... and Back (2005)

Remember them?! In 2003 the Darkness were huge, headlining rock festivals, releasing Christmas singles, even gaining a fan base stateside. Unfortunately the novelty wore off and when they released their expensive flop One Way Ticked to Hell… and Back, the huge rock tide which the Darkness had been riding crashed down to earth. They recently reformed in early 2012... but nobody cares.


9) Stone Roses: Second Coming (1994)


Possibly a controversial choice on the back of the recent Stone Roses reunion fever of 2012, but back in the early 90's, after a 5 year wait for the follow up to their the genius self-titled debut, the arrival of the Stone Roses second album was a tepid blues rock affair rather than being the divine second coming we were expecting.

8) The Farm: Love See No Colour (1992)



Remember in the midst of 'Madchester' in the early 90's, The Farm's debut album Spartacus peaked at No.1 in the UK album chart, which included the triumphant anthem All Together Now. Remember anything they did after that? No me neither, Love See No Colour being one of the most forgettable follow up albums of all time.

7) Jet: Shine On (2006)




Australian band Jet exploded into the mainstream with their catchy jukebox classic Are You Going to Be My Girl  from their debut album Get Born. Big things were expected from their follow up album, but sadly they weren't able to conjure up the same excitement with their second album, and faded into rock obscurity, breaking up after their 3rd album.

6) Audio Bullys: Generation (2005)


After their debut release of Ego War, Audio Bullys were seen as modern pioneers of house music. But their keenly anticipated second album Generation was exceedingly dull and lacked any of the innovativeness on their first release. The group themselves later denounced the album.

5) Happy Mondays: Yes Please (1992)


Recording in Barbados, the rave icons Happy Mondays spent their budget for the album on drugs, and when the album was finally released it cost so much to make their label Factory Records went bust. Sean Ryder and Bez were in so much debt they've since had to make appearances on Big Brother, I'm a Celebrity and reform the band several times.

4) Guns N Roses: Use Your Illusion I and II (1991)



Whilst in 2012 we celebrated the 20th anniversary of Nirvana’s Nevermind, its easy to forget that in the same year Guns N Rose released their follow up Use Your Illusion I and II, a massively bloated double album consisting of covers, excessive 10 minute long ballads, and songs of B-side quality, and which took the ‘difficult second album’ to another level.

3) Oasis: Be Here Now (1997)


After their first two albums, Be Here Now was expected to be Oasis’s masterpiece. Unfortunately it was a major disappointment, lacking any of the catchy stadium sing-alongs which featured on their first two albums. The album is now seen as best forgotten, with none of the tracks from Be Here Now appearing on their 2006 best of Stop the Clocks.


2) Terrence Trent D’Arby: Neither Fish Nor Flesh (1989)


You’d forgive anyone under the age of 25 for not having a clue who Terrence Trent D’Arby is. He should have been an 80s icon, but the success of his debut album Introducing went to his head, and his follow up Neither Fish Nor Flesh was so over-indulgent and self-obsessed, it’s difficult to tell if the album was one big joke or if he was actually being serious.

1) Lou Reed: Metal Machine Music (1975)


On the back of the popularity of his album's Transformer and Berlin, Lou Reed was reaching his peak of popularity as a solo artist. But, aware that he only had to release one more album to fulfill his contract, Reed released Metal Machine Music, an hour long recording of guitar feedback. Its debatable if Reed was actually intent on releasing an avant-guard 'noise' album or if he simply wanted to get out of his record contract, nonetheless give me 'Perfect Day' any day over this.